I blog straight from my crochet studio most days per week. Why not? I’m here all the time! Behind the scenes stuff: intriguing crochet swatches, yarn tests, stitch experiments, designs in progress. Professional crochet concerns: quality design tools, photo styling, stash management, staying creatively inspired & organized. Crochet Inspirations Newsletter overflow.
I converted a Starwirbel (tube in spiraling rounds) into a flat rectangular wrap.How to get the same kind of lace as a flat rectangle? People have requested this for years and I’ve swatched it several times. I love this one! (Pictured above, in progress.) It retains for me the experience and special effects of making it.
More importantly in the long run, it means we can now use Starwirbel fabric to make anything.
Starwirbel Now has a Stitch Diagram
For those of us who like to use stitch diagrams, we’ll have time in class to go over Starwirbel’s. Star stitch diagrams can be a bit quirky to understand at first.
I’ve been looking forward to sharing some sneak peeks! You’re looking at Tunisian crochet eyelets on the diagonal, frilled ? with love knots ?. I used our Lotus yarn in these colors: Carbonite, Pearly Pearl, Satin Grey, and Lustrous Tan.
If you’re going to the conference and you took one of my earlier Tunisian lace classes, Yveline will want to meet you too. I brought swatches to those earlier classes that have since come of age in the form of the lovely Yveline.
First, the name. It started out “Lean In” because that’s what I called the early swatches. It fascinated me how much some Tunisian stitches liked to lean with a little encouragement. Not just how much, but the kind of movement; sometimes it’s like Tunisian lace stitches have hinges or ball joints.
When it came time for a grown up name, I was in a dual swoon from binge-watching the Versailles series while adding the love knot frills! I looked for names associated with Versailles and learned that the city is located in a département called Yvelines.
About Those Love Knots
I’m still swooning a bit from using love knots for surface embellishment. I haven’t seen anyone else do this and it’s just the kind of odd new thing I like to try each time I teach 21st Century Love Knot Adventures. (I mean, look at what I called the class.)
It did take several swatches. Remember last year when I did a newsletter on ruffles? It was shortly after I shipped Yveline to Sharon, the book author. I’d been swatching and meditating on the essence of a crocheted ruffle for a few months.
The Tunisian eyelet fabric is so airy and “flexy” (another name I gave to the early swatches) that most of the ruffles I tried were too heavy. I love how airy the love knot frills are! Love!
About the Ruffle Idea
The urge to frill has a story too. Years ago I crocheted the cutest little bag. It’s Tunisian simple stitch with ruffles surface-crocheted on it.
So that’s my Delicate Crochet story of Yveline. I have a very different story coming up about the other design I did for the book!
Have you seen the planned color pooling crocheters are doing to get a cool argyle or plaid look with variegated afghan yarns? You can use lots of different stitches for this, but the height of single crochets (sc, or in UK/AUS: dc) is great, especially with moss stitch (a.k.a. linen, granite, seed stitch).
Planned Pooling with Cotton Thread
I pooled the colors of a size 10 crochet thread into an argyle and “Rosebud Argyle” is the result. It’s 3.5″ x 3.5″ and dense because I used a color-gobbling stitch pattern, so I added a border and turned it into a “mug mat” (coaster). I’ll be bringing it to the Creative Planned Color Pooling class.
If I had used the classic moss stitch pattern of [sc in next ch-space, skip next sc, ch 1], my swatch would have come out more than double that size: over 7″ x 7″ (I ripped it out before measuring exactly how much smaller it is with my stitch variation).
Even the 3.5″ size is bigger than I expected! My original goal was only 1″ or 2″. New lesson learned: the color changes in variegated thread look short until you start crocheting with it. The stitches just don’t take up much thread.
I really wanted the experience (and general look) of a moss stitch pooled argyle, so I needed to substitute with stitches that eat up a lot more thread. Why? The length of each color in a variegated thread or yarn is fixed. When the colors repeat, their sequence is also fixed. The total length of one whole sequence is your fixed width. The way you alter this fixed width is with the stitches you use. (There are other options but not for this post.)
Each row of moss stitch is [sc in next chain-space, skip next sc, ch 1]. With each new row, the sc’s are over the ch’s and the ch’s are over the sc’s. It is common to use half double crochets (hdc, or UK/AUS: htr) instead of sc. I haven’t seen much of it lately, though. I hope crocheters are feeling free to alter the moss stitch, especially if you’re doing planned pooling.
Below I’ve written up the stitch pattern instructions for my color-gobbling moss stitch variation. It’s the one I used for the swatch pictured above. I wrote it as if you’re using a solid colored yarn or thread.
Vashti’s “Color Eater Stitch”
The “color eater stitch” is [slip stitch, 2-hdc puff] in the next ch-space. The slip stitch is to keep the hdc puff closer to the height of a sc and puffy (rosebud-like). It also helps keep the color changes distinct when you’re pooling.
Like moss stitch, each row is [color-eating sc substitute in next ch-space, skip next color-eating sc substitute, ch 1]. With each new row, the color eaters are over the ch’s and the ch’s are over the color eaters.
It’s easy to fine tune how much you use of a color when you’re pooling with it. For example, sometimes I did a 3-hdc puff instead of 2 to eat up more color. Or, a tighter ch-1 and shorter puff to eat less color. I got better at this with the later rows. Maybe you can tell in the swatch.
When color pooling with it, do whatever you need to at the row ends: just a ss and hdc to use less color, or even a 4-hdc puff to use much more.
ch – chain stitch
hdc – half double crochet (hdc, or UK/AUS: htr)
2-hdc puff – [yarn over, pull up a loop] twice in the same designated stitch, yarn over and pull loop through all 5 loops on hook.
ss – slip stitch
How to Crochet It
Foundation chain: With a solid colored thread or yarn for your first swatch, chain an even number.
Row 1: Skip 3 chs, *[ss, 2-hdc puff] in next ch, ch 1, skip next ch, repeat from * until one ch remains, [ss, 2-hdc puff] in last ch, ch 2, turn.
Row 2: Skip first puff and ss, *[ss, 2-hdc puff] in next ch-space, ch 1, skip next puff and ss, repeat from * for rest of row, [ss, 2-hdc puff] in space of turning-ch 2, turn.
The class material for Creative Planned Color Pooling changed me. In fact, it’s still changing me. I’ve adjusted its title to take new developments into account (more on that below).
I’d love to have taken a color pooling class like this years ago! In fact I’d rather learn it in a class than from a pattern or blog. The next time I teach this class: July 28, 2018 in Portland, Oregon.
Crochet Rules, Questioned
Developing this topic changed me as a crocheter. It showed me what I take for granted about crochet how crochet works. I think it’s because for the first time, something else (the yarn’s color sequence) replaces crochet standards that have always worked for other kinds of crochet.
Here’s one: uniformly even stitches are beautiful. We aim to make uniform stitches to get a lovely, polished result, right? Beginners practice until they can be proud of how even their stitches are. Why would one question this?
When you’re intentionally pooling (I think of it as color directing), it’s the yarn’s colors that you aim to make uniform. The evenness of your stitches is second to that. A pretty distant second, which was shocking to me. Why? That brings me to a second way this class material changed me.
On a bigger and more personal scale, my relationship to color changed! It was like watching my brain re-prioritize what it was seeing. My eyes rejoiced when the yarn’s next color stacked up the way I wanted it to. The stitches for making this happen became almost interchangeable. Even the stitch gauge could vary.
In other words, detecting a color pattern is riveting to the brain. (At least my brain. It feels primal.)
Especially when the pretty color pattern emerges from seemingly random chaos.
Especially when it’s like there’s a secret code in a multicolored ball of yarn and you’ve just cracked it.
The crochet stitch and gauge becomes a strategy: change the crocheting a bit to get a color to stick with the pattern and it works! The eye doesn’t see certain stitch irregularities. It’s too captivated by the color patterning. Also, the nearby stitches will adjust.
Since my 2016 class, more crocheters have mostly been finding out from blogs about doing planned color pooling (a.k.a. intentional yarn pooling) with variegated craft store yarns. I’m seeing people make a cool argyle effect using the linen stitch (a.k.a. seed stitch, moss stitch, granite stitch): each row is [sc, ch 1, skip next st], and you crochet the sc of the next row into the ch-1 space of the completed row.
I came to this topic a completely different way, via hand dyed yarns. It’s easy to identify the dye techniques, such as hand painting and dip dyeing, because these yarns tend to be sold in the hank the dyer used, not wound into balls.
In these dyed hanks I saw “stitch games” because I’d already done other color-based and geeky experiments. For example,
When I learned from Marty Miller how hyperbolic crochet works (2006 or so), I crocheted her a hyperbolic coffee cozy secretlybased on her birthdate.
A hand dyed yarn with a vivid yellow in it made me want to set it off with love knots. “Love Games” was the result.
Earlier versions of this class were “Stitch Games for Yarns With Short Color or TextureChanges” (2016 in Charleston SC) and “Stacked Color Pooling” (2017 in Mt. Pleasant IL). Planned pooling is becoming a recognizable term for more crocheters. I suspect that only seed stitch argyles come to mind for some. Also, some folks seem to think this is math based, but it doesn’t have to be. At all.
Creative is the important part of the new title because we’re still at the early stages of what is possible. There is way more to planned pooling than seed stitch argyles. What about lace and tall stitches? Shaping? Tunisian? I want crocheters to experience the possible! And of course to be changed by it.
Updated things you can do with this mesh, such as this waterfall vest.
How the yarn choice affects the stitch.
Another view of this diamond mesh would be the love knot sections of Lovelace. (It’s so iconic that the stitch is synonymous with the mesh in some how-to sources from the 1800’s to now.) Then, compare it with the Electra Wrap’s triangular love knot mesh.
For Students With a Bit of Experience
How to increase and decrease this mesh, and add picots as one way to finish the edges as you go.
The when, why, and the how-to: making love knots with slip stitches instead of single crochets (UK: dc).
My new favorite way to keep love knots from loosening later if the yarn is slippery.
A new way to crochet into love knots that I recommend for a project like this one.
For Those With More Experience
How to do corner to corner (C-2-C) love knot mesh in which you start in one corner and end in the opposite one.
How to sprinkle in other stitches with the classic love knot mesh to create lacy new stitch patterns!
Multi-Purpose Visual Aids = Ideal
This is my seventh year shipping teaching aids across the USA for crochet classes. I teach four to six different topics per event. Visual aids are everything! I always end up with a lot of crochet items to ship.
In the past few years I’ve started designing class items that combine several points of information in one. Not only do I cut down on the shipping this way, it’s a fun design challenge. I also love coming up with how a design for one class topic can double or triple as a visual aid for other topics I’m also teaching.
Self-Healing Stitch Alert
An example of this is I’ll be adding armholes to Flowerfall by cutting them open. Know what this means? It’ll also be a great visual aid for the Self Healing Stitches and How to Cut Them class! I might even bring it to the Tunisian on the Diagonal class if I don’t make a Tunisian one in time. Even though Flowerfall isn’t Tunisian, it’s an example of an easy shape to crochet from corner to corner in any stitch. (Flowerfall is even relevant to my slip stitch classes. It’s the first design I’ve done with slip stitch love knots.)
I’ll post again about this design so that you can see its modified diamond shape, how its armholes happen, and different ways to wear it. I’m smitten ? . Flowerfall’s Flickr album has three photos so far.