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Delicate Crochet Book Giveaway

Update: I’m so inspired by your comments! Your comment may take a few hours to show because they go into a moderation queue. 

I’m giving away a copy of the new Delicate Crochet book by Sharon Silverman to a randomly chosen commenter on this post. You’re welcome to enter even if you live outside of the USA. If you win and you have a non-USA shipping address, you’ll receive a free downloadable crochet pattern of your choice instead. Scroll down for the book giveaway details.

 

Pattern Riffing

Over the holidays I “riffed” on the patterns I wrote for Delicate Crochet. I’ll explain how, in case you have (OR WIN!!) this book and want to riff too.

Meet Zegue

Tunisian ripple stitch Ziggy Vest with its variation Zegue
Zegue (left) with Delicate Crochet’s Ziggy Vest on the right.

Zegue is a simple wrap version of the Ziggy Vest. I used up scraps of fancy yarns in my stash. In Ziggy’s case the armholes are cut into the self-healing stitch pattern. I omitted that step for Zegue. (I could still add a hole later, such as for a one-sleeve wrap, or for a keyhole scarf style like I did for the pink Mesmer. Or go with my original idea: add a seam at each end of the long sides to create tubes (sleeves) for a shrug.)

Yarn: I had one small ball each of the four Stacy Charles Fine fashion yarns I used. (See Zegue’s project page in Ravelry for the yarn facts.) One of them has sequins so I had to use it. Using a mix of yarns for the Ziggy stitch pattern was really fun! I’ve always wanted to do a stripy scrappy ripple, especially in Tunisian stitches.

Crochet Hook: I used the 7.0 mm Addi Tunisian crochet hook from my shop; the Ziggy Vest calls for a 6.0 mm size. A 6.5 mm for Zegue would probably be just as lacy though you might need a few more rows and additional stitch repeat or two.

Finished Dimensions: 14″ x 57″ (35.6 x 144.8 cm), measured flat and blocked. I like wearing it as a wrap. For a shrug option I might add buttons. It weighs 71 g. and I had about a quarter of the Luna mohair and Crystal left over.

I chose the length of each row to match the length from my wrist over the shoulders and across the back to the other wrist while my arms hang at my sides—an easy measurement (57″/144.8 cm). This is because I thought I was going to turn it into a shrug. I just kept adding rows until my forearm would fit through the sleeve tube if I seamed part of the first and last row together; I’d need a minimum of about 9″ (22.9 cm). I figured the yarn amount would get me at least this far.

Foundation and Row Repeats: You’ll need the Delicate Crochet book for the actual Ziggy pattern (starts on page 140). Here are my changes for Zegue:

  • I chained 178 with Color A (Stella).
  • Row 1 forward pass (FP) is also Stella, and then I changed to Color B (Luna) for the return pass (RP) and the Row 2 FP. Fasten off every time you change yarns.
  • Row 2 RP and Row 3 FP: Change to Color C (Céline).
  • Row 3 RP and Row 4 FP: Change to Color B (Luna).
  • Row 4 RP and Row 5 FP: Change to Colors C+D (Céline & Crystal held together).
  • Repeat the color sequence of B, C, B, C+D for a total of 16 rows; for Row 16 RP change to Stella. Complete Row 17 FP and RP with Stella and then fasten off.
  • Edge Row 17 with a strand of Luna and Crystal held together: Single crochet (sc) in first FP stitch, chain 1, slip stitch (ss) in same sc, sc in same stitch, *chain (ch) 1, sc in next FP stitch, ch 1, sc in next stitch group, ch 1, sc in next FP stitch, [sc, ch 1, ss in same sc, sc] in next FP stitch, repeat from * in each remaining FP stitch of row. Fasten off.
  • Attach Stella to first foundation ch. Working along the other side of the foundation, sc in first ch, ch 1 and skip next ch that was not used by a FP stitch, sc in available loop of next used foundation ch, repeat from * in each remaining stitch of row. Fasten off.
  • Attach Luna and Crystal to first sc of Stella. Edge this row the same way you edged Row 17.

Yvelino the Paneled Ring Scarf

Icelandic wool ring scarf vs DesigningVashti Lotus wrap of Bias-crocheted Tunisian net, surface-crocheted with love knots.
Yvelino Ring (left) with Delicate Crochet‘s Yveline Wrap on the right.

 

For this version of the Yveline Wrap I used four colors of lace weight Icelandic wool, one ball per color. See its project page for the yarn deets. I loved this yarn; it’s very “sticky” and almost bristly or wiry in a way that works great with this airy bias-worked net.

Crochet Hooks: 5.0 mm (H) Tunisian hook; for the surface-crochet I used a regular 3.5 mm (E) crochet hook.

Finished Dimensions: 13″ wide with a 58″ circumference (33 x 147.3 cm). It weighs 100 g. so I used only half of each ball. (I thought I might want to add a lot of surface crochet, so I reserved yarn for that.) Instead, I like the texture contrast zones.

Foundation and Row Repeats: You’ll need the Delicate Crochet book (starting on page 133) for the actual Yveline pattern. Here are my changes for Yvelino:

  • Chain 58 in Color A. Complete 33 rows. Edge the last row with sc.
  • Slip stitch Color B to the bottom right corner foundation chain of the previous panel. Chain 58. At the end of the Row 1 FP, slip stitch in the first FP stitch of Row 1 of the previous panel and then complete the RP as usual.
  • Repeat this join-as-you-go process at the end of every FP until you’ve completed 33 rows. Edge it with sc like the previous panel.
  • Repeat the above with two more panels. For the last panel, also join-as-you-go the first FP stitch of each row to the last FP stitch of the first panel you completed to create a ring. (Or you could seam the first and last panel sides together to for the ring as a separate step.)

Adding the Frills: The only thing different from the book is that I used a 3.5 mm (E) crochet hook, and surface crocheted a column on each side of the joins.

Oh the Resources Buried in Crochet Patterns

I hold onto lots of crochet pattern books and “mine” them for interesting stitch patterns (love those stitch symbols!), shapes (love those schematics!), and construction methods (love the rare assembly diagram!).

The stitch texture combinationscolor contrasts, or styling ideas in pattern books are also inspiring.

Ravelry takes this into account so I know I’m not the only one who uses books this way. (When creating a new project page, there used to be a box you checked if you improvised from an existing pattern. Now you can choose additional patterns if you’ve incorporated elements from them.)

Delicate Crochet offers hours and hours of riffing on its interesting stitch patterns, shapes, and styles, thanks to the range of designers represented—and thanks to all the stitch diagrams and schematics.

Book Giveaway Details!

You could win this! Delicate Crochet by Sharon Silverman with 23 patterns by 10 designers.
  • I’ll use a random number generator no earlier than February 18 (Monday, President’s Day) to choose from among the commenters to this post.
  • There may be two winners: one with a shipping address outside of the USA as well as within it. If the first winner has a non-USA shipping address, the prize will be a free downloadable crochet pattern (winner’s choice). I will then draw a new number randomly until the new winner has a USA address to which I can ship the book.
  • To contact the winner(s) I will do these three things: comment on your comment with the news, and announce the winner’s name (as it appears on your comment) in my Ravelry group, and at my Facebook page. I suggest you opt-in to receive alerts of responses to your comment in case you’re a winner.
  • Your comment may respond to my question, “What crochet book would you like me to write?” (as explained in my newsletter #97), or at least be crochet-related. I reserve the right to remove spammy comments as always.
  • Commenting more than once does not improve your chance of winning.
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First Look: Yveline, a Tunisian Wrap

Photos by Daniel Shanken
All Images © 2018.  Photographer: Daniel Shanken for Stackpole Books. View hi-res.

I’ve been looking forward to sharing some sneak peeks! You’re looking at Tunisian crochet eyelets on the diagonal, frilled ? with love knots ?. I used our Lotus yarn in these colors: Carbonite, Pearly Pearl, Satin Grey, and Lustrous Tan.

Yveline is one of two new crochet patterns I contributed to a forthcoming book. It’s called Delicate Crochet: 23 Light and Pretty Designs for Shawls, Tops and More by Sharon Hernes Silverman. The book’s official publication date is December 1, but look for it as early as October. 

Yveline Goes to Class

I’ll be traveling with Yveline to the CGOA crochet conference in Portland OR next month because she wants to meet everyone who is taking the Tunisian Crochet on the Diagonal class AND 21st Century Love Knot Adventures.

If you’re going to the conference and you took one of my earlier Tunisian lace classes, Yveline will want to meet you too. I brought swatches to those earlier classes that have since come of age in the form of the lovely Yveline.

Her Story

First, the name. It started out “Lean In” because that’s what I called the early swatches. It fascinated me how much some Tunisian stitches liked to lean with a little encouragement. Not just how much, but the kind of movement; sometimes it’s like Tunisian lace stitches have hinges or ball joints.

When it came time for a grown up name, I was in a dual swoon from binge-watching the Versailles series while adding the love knot frills! I looked for names associated with Versailles and learned that the city is located in a département called Yvelines.

About Those Love Knots

Wallet-sized beige cashmere bag of Tunisian crochet, embellished with double ruffles, woven with grey satin ribbons.
A small bag I designed 9 years ago inspired the ruffle idea. Image missing? View it here.

I’m still swooning a bit from using love knots for surface embellishment. I haven’t seen anyone else do this and it’s just the kind of odd new thing I like to try each time I teach 21st Century Love Knot Adventures. (I mean, look at what I called the class.)

It did take several swatches. Remember last year when I did a newsletter on ruffles? It was shortly after I shipped Yveline to Sharon, the book author. I’d been swatching and meditating on the essence of a crocheted ruffle for a few months.

The Tunisian eyelet fabric is so airy and “flexy” (another name I gave to the early swatches) that most of the ruffles I tried were too heavy. I love how airy the love knot frills are! Love!

About the Ruffle Idea

The urge to frill has a story too. Years ago I crocheted the cutest little bag. It’s Tunisian simple stitch with ruffles surface-crocheted on it.

So that’s my Delicate Crochet story of Yveline. I have a very different story coming up about the other design I did for the book!

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CGOA’s Lotus Yarn Pattern (Last Day Free!)

My swatch in Crystal Blue DesigningVashti Lotus yarn, and sketches of scarf and yarn amount options

Happy NatCroMo! (National Crochet Month)

Designer Andee Graves featured our Lotus yarn with her new Shining Day Wrap crochet pattern. She’s one of CGOA’s 2018 board members. At her blog she explains,

“There will be 3 other patterns available free for CGOA members only, each only for 1 week. Be sure you’ve renewed your membership or joined CGOA before you miss out!”

Today is the last day you can get this pattern for free.

Why? It’s part of the 2018 CGOA NatCroMo celebration and this one is free for everyone—CGOA members and nonmembers.

Shining Day is crocheted in a lacy stitch pattern that is flowing wonderfully off my [pink] hook. I think it flows so much because you crochet into chain spaces at an easy gauge.

A Flowing Foundation Row

This wide lacy rectangle is worked from the center out on both sides of the foundation row. You’ll have matching ends, each with a pretty picot border.

For a design like this, you wouldn’t want the foundation chains to look noticeable or feel tighter than the rest of its flowing lace. No problem! Andee uses a great type of foundation row. It’s not only stretchy, it has a nice texture that blends in.

About Yarn Amounts

Andee used four 100g. balls of Lotus to get a wrap that is 16.25″ X 68.5″. Four balls is 1,024 yds (4 X 256 yds).

The Cone Idea

Some folks have wisely been ordering Lotus Z-Bombes, which are value-priced one-pound cones. One pound of Lotus is a bit over 1,100 yds, or about 4.5 balls. (I always allow a Z-Bombe to go a bit over a pound after subtracting the weight of the cardboard. I write the exact unique weight of each Z-Bombe on its tag.)

The Lotus Snacks Idea

A floral six-pack: Orange Luxe, Grenadine, Pink Sugar, Peachy SHeen, Rose Red, Lala Yellow.
One of several springtime color combos!

In my recent newsletter issue #90, I mentioned a multicolored Shining Day using a six-pack of Lotus Snacks. I think spring fever made me do it. I kept picturing a riot of floral colors like I do every spring.

Unfortunately I miscalculated the yarn amount for that in the newsletter. The mini Snacks are one-third the size of a regular Lotus ball: 85 yds per 33 g. Not one-half.

CORRECTION: A Six Pack O’ Snacks totals 512 yds, not the 768 yds I stated in the newsletter.

My 512-yd. Shining Day

Andee Graves aka Mamas2Hands produced a lovely PDF to match her pretty lace wrap design.
Page one of Andee’s pattern. Isn’t it pretty? 

See my drawings above in that photo of my light blue swatch? That’s me figuring out that a two-ball (same as six Snacks) Shining Day would come out to 12″ X 51″ (or a bit longer).

My swatch is 11.5″ wide. I needed 46 foundation stitches to do 4 stitch pattern repeats.

Andee’s Shining Day pattern is definitely worth paying for if you miss the free version. It includes stitch charts and a photo-tutorial on making the picots.

Join the CGOA MEGA CAL group in Facebook!

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Mamruana CAL “Wrap Up”

Sleeve cuff test for the Mamruana in progress.
Mamruana (unfinished): sleeve cuff test.

I put “Wrap Up” in quotes because this is a soft ending to a crochet along, not a hard one. In fact I remain inspired by some discoveries I made about it along the way. Plus, I can’t resist a pun.

It’s easy to imagine revisiting this CAL with a springtime project with CAL participants who also intend to start or resume their Mamruanas later.

Mamruana Evaluation Day

I’m going to do a behind-the-scenes evaluation of it as a crocheter of it (the process), wearer (the product), yarn provider (yarn brand choice), designer (art and craft of it), and pattern writer (is it patternable?).

Wearing the Ruana

Mine is in fall colors and I’ll be wearing it to parties here in Florida through the winter. It’s bigger and heavier on me than I expected, but not too much. It means I made a size Large to X-Large instead of a Small to Medium.

I will love dancing in it. It drapes beautifully and the colored diamonds flicker as it moves, vaguely like confetti.

As a Crochet Project

I really enjoyed crocheting it for three reasons:

  1. The half double stitches (hdc) are crocheted into spaces, not stitch loops (helps the crocheting pace). See the stitch close up below.
  2. The rhythm of color changes kept me looking forward to the next strip, with no color juggling or managing ends.
  3. Constructing this in MAM (“mile-a-minute”) strips gave me a satisfying feeling of completion and progress.

As a Design Idea

Mamruana crochet strips in other wearable shapes and striping.
Mamruana crochet strips in some other wearable shapes. Compare how the color stripes drape with first photo of the ruana.

Several inspiring discoveries here for the designer in me!

I love that you’re just crocheting little square patches in simple rows—so elementary—but they end up being diamonds on the bias. Changing the color of each strip adds a big visual effect to the drape. A ruana shape magnifies the effect because the sleeve sections also drape on the body at an angle.

Not only is a patch reversible, it’s rotatable! This excites me because it means a series of patches could be linked up while going in different directions and still look coolly consistent. Freeform-bitmappy, chic, powerfully versatile design-wise. A gazillion options are possible for other wearable shapes and kinds of projects. It’s like each patch is a fashionable “bit” for infinite design “pixels”.

Put a Cuff on It

I’m unreasonably inspired by putting sleeve cuffs on a ruana. I like how it feels to wear it, how it updates the look, and how easy it is to do. It’s a trendy effect I’ve wanted to explore since seeing it so much in Pinterest.

The Yarn Choice

Speaking as both a designer and a yarn provider, I’m very pleased with how the design and yarn go together. (I never really know if that will be the case.) YES I always want to have new crochet patterns for DesigningVashti Lotus yarn, and to show off new colors of it. For example, the new Orange Luxe color inspired the Mamruana.

Yarn-me will ask designer-me to tinker with the final pattern because it needn’t use quite this much yarn—approx. 525 grams or 1350 yds.

As a designer I always need a good design reason for choosing one yarn over another. So, of course I fantasize about other yarns too. Besides the sport weight (CYC #2) Lotus, I think thinner yarns (lace wt./CYC #0 and fingering/CYC #1) would be wonderful; I swatched some for the CAL. I keep picturing a wool or alpaca blend as a generous cowl, for example. What about fine crochet thread for a scarf, panels of a skirt, etc. Beads?!

My takeaways from using Lotus for this Mamruana:

  • Its sheen combined with its drape is key to the whole effect! (That “I want to wear it to holiday parties and dance in it” effect.) Check out the stitch close up at right.
  • For Lotus designs I tend to vacillate between using a G-6 and G-7 (4mm, 4.5mm) crochet hook size. I used a G-7 for Mamruana. For larger sizes at least, I’m thinking it should be a G-6. Probably not an F-5 (3.75m) but I’ll investigate.
  • The color range of Lotus is a significant element in its “just one more strip!” crocheting fun and visual impact. I’d need an inspiring color range in any yarn I use for this.

Mamruana as a Downloadable Pattern?

I’ve learned that you never know what it will be like to write up a design until you’re in too deep, but I’m not worried about this one. No red flags. Nothing that would require a video to be understandable. Unlike, say, a Bosnian color-pooled moebius.

It’s so Plus-sizable. Good Plus Size patterns are another thing I always want more of in my shop.

A nice thing about this CAL is that I wrote up the main pattern in sections and created visual aids as we went.

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How to Increase Tunisian Crochet Stitch Blocks

Try these three ways to add stitches at the end of a Forward Pass.

The first two methods are my favorite because they don’t limit how many stitches you can increase at a time. (Please see issue #64 of my newsletter for more). This means I can smoothly add big lacy spaces and whole blocks of solid stitch repeats where I wish in Tunisian crochet. This is something I’ve always loved about regular crochet.

If you prefer a different method, please let me know in the comments!

Method #1. How to Add Tunisian Stitches with Half Hitches

Each of the two loops added to the crochet hook are loosened to make it easy to see that they're simple loops with a bit of twist before adding to the hook.
A half hitch is simply a loop with a twist in it.

In my original 2009 blog post about this method I use a pair of them as a double half hitch (dhh). Any number of half hitches can also be used singly for shaping Tunisian crochet.

By the way, you can also use the simple little loop shown in this first photo to crochet limpets. It’s best known as the simple/single/backwards loop cast on in knitting. It’s also used in tatting and in macramé. This video shows half hitches being added to a knitting. This is how I do it and I’ve really picked up speed.
Scroll past the first one (“Long-Tail Cast-On”) to the one called “Single Cast-On Also Known As Backward-Loop Cast-On.”

Method #2. How to Use Tunisian Foundation Slip Stitches as Increases

Tunisian foundation slip stitch: at the end of a Forward Pass, chain, remove last loop from hook, insert hook in a ch loop, then put live loop back onto hook. An increase of one stitch.
Feel free to choose a loop other than the tinted ones shown.

At the end of your Forward Pass, insert hook in one side loop of the end stitch, yarn over and pull up a loop. Then chain the number of stitches you wish to add. (I chained four in this photo.) Then take the last loop off of your hook; your stitches should resemble those in the photo.

Then, insert your hook under one loop of the first chain (tinted pink) and leave on your hook. Repeat with each remaining chain; then put the live loop back on your hook, as described in the caption.

I found this Tfslst method after I designed the Five Peaks Shawl with half hitch increases. I used Tfslsts in the Four Peaks Scarf pattern, and most recently in the Warm Aeroette Scarf.

I love having both of these methods to choose from, depending on the project.

They are probably interchangeable enough that you could use the one you prefer. (More on that in the newsletter.)

The most important thing is to choose a method that doesn’t impose a limit!

Often when someone asks in a forum how to increase Tunisian crochet stitches, the advice is to squeeze them in. Typically this means adding a stitch in another loop just behind or next to another stitch. This method is fine if you’re replacing a stitch that you accidentally decreased in an earlier row. If you think of basic Tunisian crochet fabric as a grid, space was already reserved for the missing stitch, and you’re just filling it back in.

Method #3. The “Squeeze-It-In” (my least favorite shaping method).

Left triangular swatch is starting to curl along one edge. Other triangle is symmetrical with nice drape.
Effect of the “squeeze-it-in” method shows in the left swatch. Not recommended for something like a shawl.

The Squeeze-it-in method has limits. It’s okay for just a rare stitch here and there, and away from the edges. In other words, as an “internal” shaping method. I don’t mean to impose rigid rules. Depending on the project, yarn type, and hook size, squeezing in new stitches when you wish may come out fine.

For me, this shaping method often interferes with my goal of a languid, swaying drape for Tunisian crochet accessories. When I consider how to increase Tunisian crochet edges for a new design, Squeeze-it-in is last on my list.