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Tunisian on the Diagonal: Class Resources

Official image for the 2018 Tunisian on the Diagonal class, Chain Link Conference, Portland OR
Final update of this page is in progress, please check backView the high-res image. This is a conveniently clickable group of things I mention and display in Tunisian Crochet on the Diagonal classes. I teach the next one on July 27, 2018 in Portland OR.  I show a huge amount of published and unpublished crochet designs in this class including new, never seen! Each illustrates the stitches and techniques learned.   — Vashti Braha

 

Thinking of signing up for this class? I wrote New Angle on Diagonal Tunisian, and newsletter issue #93, with you in mind.

Diagonal Tunisian Crochet Patterns

Recommended Issues of Vashti’s Crochet Inspirations Newsletter

Blogged It

Photo Albums & Inspiration Boards

Recommended Sites

All about the “Half-Hitch” stitch

  • Quick how-to video (Backward Loop Cast On is the same as a half hitch stitch.)
  • See the CAL discussion thread listed above.

Getting Geeky About the Geometry of Diagonal Tunisian

Any Books on Diagonal Tunisian?

Not that I’m aware of. Here are my three favorite Tunisian crochet references in print:

  • 2008: Tunisian Crochet Patterns 100, Nihon Amimono Bunka Kyo-kai, Japan ISBN 978-4-529-04484-4
  • 2000 (1991), Rebecca Jones: Tricot Crochet The Complete Book, Lacis Pubs., Berkeley CA. ISBN 978-1-891656-28-6
  • 2004, Angela “ARNie” Grabowski: Encyclopedia of Tunisian Crochet, LoneStar Abilene Pubg LLC, TX. ISBN 978-0-974972-55-8

The Five Peaks Tunisian Crochet Shawl design in the news & around the ‘net

I created this resource list for my students & others to explore the Five Peaks Tunisian crochet shawl, and similar start-in-a-corner, edge-as-you-go L-shaped wraps.

Inspiring Features, Examples, and Variations of the Five Peaks L-Shape

  • Doris Chan’s Fairlane
  • Nicky Epstein’s __
  • Barry Klein’s _

Yarn Tests for a New Tunisian Crochet Filet Design

How to Increase Tunisian Crochet Stitch Blocks

Preview: Aery Faery Lacy Tunisian Crochet Scarf

2010 CGOA Runway: Tunisian Weightless Wrap

Two-Color Tunisian Crochet Swatches

Tunisian Crochet Books for Research

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First Look: Yveline, a Tunisian Wrap

Photos by Daniel Shanken
All Images © 2018.  Photographer: Daniel Shanken for Stackpole Books. View hi-res.

I’ve been looking forward to sharing some sneak peeks! You’re looking at Tunisian crochet eyelets on the diagonal, frilled ? with love knots ?. I used our Lotus yarn in these colors: Carbonite, Pearly Pearl, Satin Grey, and Lustrous Tan.

Yveline is one of two new crochet patterns I contributed to a forthcoming book. It’s called Delicate Crochet: 23 Light and Pretty Designs for Shawls, Tops and More by Sharon Hernes Silverman. The book’s official publication date is December 1, but look for it as early as October. 

Yveline Goes to Class

I’ll be traveling with Yveline to the CGOA crochet conference in Portland OR next month because she wants to meet everyone who is taking the Tunisian Crochet on the Diagonal class AND 21st Century Love Knot Adventures.

If you’re going to the conference and you took one of my earlier Tunisian lace classes, Yveline will want to meet you too. I brought swatches to those earlier classes that have since come of age in the form of the lovely Yveline.

Her Story

First, the name. It started out “Lean In” because that’s what I called the early swatches. It fascinated me how much some Tunisian stitches liked to lean with a little encouragement. Not just how much, but the kind of movement; sometimes it’s like Tunisian lace stitches have hinges or ball joints.

When it came time for a grown up name, I was in a dual swoon from binge-watching the Versailles series while adding the love knot frills! I looked for names associated with Versailles and learned that the city is located in a département called Yvelines.

About Those Love Knots

Wallet-sized beige cashmere bag of Tunisian crochet, embellished with double ruffles, woven with grey satin ribbons.
A small bag I designed 9 years ago inspired the ruffle idea. Image missing? View it here.

I’m still swooning a bit from using love knots for surface embellishment. I haven’t seen anyone else do this and it’s just the kind of odd new thing I like to try each time I teach 21st Century Love Knot Adventures. (I mean, look at what I called the class.)

It did take several swatches. Remember last year when I did a newsletter on ruffles? It was shortly after I shipped Yveline to Sharon, the book author. I’d been swatching and meditating on the essence of a crocheted ruffle for a few months.

The Tunisian eyelet fabric is so airy and “flexy” (another name I gave to the early swatches) that most of the ruffles I tried were too heavy. I love how airy the love knot frills are! Love!

About the Ruffle Idea

The urge to frill has a story too. Years ago I crocheted the cutest little bag. It’s Tunisian simple stitch with ruffles surface-crocheted on it.

So that’s my Delicate Crochet story of Yveline. I have a very different story coming up about the other design I did for the book!

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New Angle on Diagonal Tunisian

A diagonal corner of the Four Peaks scarf.

I put off writing about the Tunisian on the Diagonal class because I kept feeling like I had nothing to say, but also too much! Here’s another paradox: I feel like I’ve been teaching this class since 2010 and yet I never have, exactly. How can all of this be true?

I figured it out after writing the section about its 2009 roots below. Crocheting Tunisian diagonally is a huge topic based upon simple and powerful principles. Vary one thing a little, factor in some momentum, and everything ends up dramatically different.

I’ve taught big sections of this. The 2018 class will be the master class. (It’s great for all skill levels, thanks to the “simple principles” part I just mentioned.)

For contrast, travel back to 2009 with me for a bit.

2009 Tunisian Increase Methods

Nine years ago my first diagonal crochet design happened: the Five Peaks Shawl prototype. (The pattern was published in 2010 in Interweave Crochet Magazine).

Left triangular swatch is starting to curl along one edge. Other triangle is symmetrical with nice drape.
Effect of the “squeeze-it-in” method shows in the left swatch. Not recommended for a shawl.

 There was almost nothing on diagonal Tunisian crochet from corner to corner, or “C2C”. With C2C you increase steadily along both row ends to widen, then decrease steadily until you end at the opposite corner.

The default increase method back then didn’t have a symmetrical, polished drape. I blogged about it (and the photo at right) in June 2009 because that’s when I was working out the increase method for the Five Peaks Shawl.

2009 Tunisian Hook Choices

Tunisian crochet hooks larger than size 6.0 mm (J) were scarce in any style and length, whether straight, flexible, double-ended, short, or long. When you found one, you put up with whatever its material, surface finish, and hook shape was. Remember that?

My options were either a long straight 6.5 mm (K) or a discontinued 9 mm (“M/N”) flexible hook from eBay. I needed a size between these two. Too bad!

Back then, publishers needed designers to use crochet hooks that were commonly available in stores. I worried that I wouldn’t be able to sell the Five Peaks pattern to a magazine. Fortunately, Tunisian hook choices were improving. Only three months later I blogged “Heaven is a Crochet Hook for Every Need”. Nowadays I keep a range of Tunisian hook sizes and lengths.

The Evolving Tunisian Crocheter

We Tunisian crocheters have been enjoying a renaissance for our craft! It had barely started in 2009. Back then, most crocheters still assumed the nature of Tunisian crochet was to be thick, kind of stiff, and with a stubborn curl. Not something that could cascade and swing from the shoulders like a waterfall, or look like a lacy weightless veil.

Each time I’ve taught a Tunisian crochet class since 2010, the students bring more skills and experience to the room. Newer Tunisian crocheters understand things faster. This became really noticeable around 2013. 

Five Peaks classes were the first I taught on diagonal Tunisian crochet. It was ahead of its time in 2009. Since then I’ve learned to start every Tunisian topic with a quick review of the relevant basics. People of all skill levels seem to welcome this. It seems to pull together and standardize the new things everyone is learning from different designers. 

For 2018 I’m excited to be starting out with a review of a different set of basics because when we crochet Tunisian on the diagonal, there are clues we can be looking for but may not recognize for awhile. Things may look wrong for awhile and yet be so, so right. 

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A Crochet Year in Review (2017)

Long term projects define my life in crochet.

Sure, a crocheted item can be quick and easy, but I mean producing patterns, teaching, and other business-oriented projects. For example, I completed two interesting Tunisian crochet patterns in 2017 that will appear in a 2018 book.

I should do this review every year​! It’s easy to lose sight of the wins when so many projects are complex or long-term.

Favorite discoveries in 2017

Discoveries about crochet are what motivate me to design and teach!

  • Crocheting a twisted loop fringe edging at the start of a row is so promising! Make it any length. Add beads to it without stringing them on first. I discovered this with Aquarienne. It was also the perfect thing for the border of Graven.
  • Discovering which crochet stitches are “self-healing” when you cut them (and why) is a game changer! See Zumie. Scroll down to see Lovatar.
  • My experimental yoke worked! The yoke of the Tripuff Tunic is just a draped scarf.
  • Rosepuff inspired new clustered puff swatches that make me swoon, like the one above.
  • I made too many discoveries that are too technical to go into while covering bangles with crochet in December and January! It was completely inspiring and rejuvenating.
  • When I matched my yarn stash to a favorite silk skirt I discovered two things. First, using the skirt’s colors is a tribute to a favorite thing that can inspire me indefinitely (past the life of the skirt). Second, I also matched my yarn colors to a favorite painting and realized chances are good that the yarns you add to your stash also correspond to the colors of favorite items because you are the common denominator.

​DesigningVashti 2017 by the Numbers

  • Our Lotus yarn in magazines: Morning Dew Wrap by Kristin Lynn and  I Do Shawl by Cindy Adams, both in Crochet! Magazine. I published two of my new Lotus patterns, Rosepuff Shawlette and Aquarienne. Two new Tunisian designs coming out in a 2018 book will also feature Lotus yarn.
  • 12 blog posts in 2017 (monthly is ok but my overall average is 17.5 posts per year and I’d like it higher than that).
  • 6 newsletters, so they came out bimonthly in 2017. Originally (2010) they came out every other Thursday. Overall, the average frequency is monthly. The six topics in 2017 were Hidden Pictures in Cut Stitches, Crocheted Ruffles, New/Favorite Stitch Patterns, Edgings That Multitask, Announcing a Ruana DAL-CAL, and Yarn Overs & Yarn Unders.
  • Posted 18 different crochet tips for new crocheters in Facebook and Twitter. One of them became a full blog post.

​Favorite Designs in Development

These favorites link to their project pages in Ravelry if I haven’t blogged about them yet.
Mamruana, Lovatar, Laluna (and the Tripuff Tunic and Graven mentioned above) are all crocheted in our Lotus yarn.
SS-LusciousQuailfeather, FunweltyZumie Vest, and Jumbo Heart Cushion launched 2017 and were all inspired by the weekend workshop I taught in March 2017.

2017: Big Year for Business Improvements​

  • Renovated a seven years old website. I’m still cleaning up broken links and stuff. This 2017 project is spilling over into 2018.
  • Found someone who makes wonderfully intuitive stitch diagrams for my patterns. An easy win!
  • Acquired what we affectionately call a ‘warehouse’ for my shop yarns and hooks (it’s a small Rubbermaid shed). Did important maintenance on my Lotus yarn equipment myself. Got some helpful IKEA office items.
  • Taught a weekend crochet workshop at Mosaic Yarn Studio and got up to speed using Airplay instead of an overhead projector. I loved using that set up.
  • Videos -deep breath- learned how to edit footage, and what filming equipment I wish I had, so I’m further along than in 2016; a hurricane put a dent in that momentum. For 2018 I figure I’ll try again keeping it simple, short, casual. Otherwise I’ll never get anywhere! Ellen Gormley and Mary Beth Temple inspire me.
  • Digitized crochet archives: In 2017 I started a process that works for me. (It also helped me during Hurricane Irma!) Here are my stats: I have 4 or 5 shelves of stuff to digitize; each shelf is 20″ wide. If I’m getting 15 to 18 images per shelf inch, I’ll need 4.5 to 8 gigabytes of storage.

A Year’s Worth of Crochet

I can see why bloggers do a year-end review now that I’ve done it. It feels good to see a year’s worth of highlights–you’ve always done more than you remember. I appreciate everything more. It’s easier to be objective about what is significant. I can see what obstacles I overcame, and what it took to do so, instead of expectations I had at the time that I didn’t meet.

I love to see the glimmerings of 2018 crochet in 2017.

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Wearing Crochet to a Memorial Service

Four views of Graven worn with its buttons in front or back.

I traveled over the weekend to attend a memorial service for the sudden death of a beloved uncle.

The chapel accommodates 280 people, and 360 attended. Fortunately the weather was ideal (around 80º and sunny) so that the building could be open on two (maybe three? sides. The overflow of people could sit comfortably outside and feel included.

I designed something specifically to wear to this event and had two weeks to make it. That includes all swatching, blocking, and any do-overs.

The Challenge: Accepted.

Wearing crochet to this event meant meeting three strict requirements.

The short, fixed deadline.

I had to rule out my very first idea: to crochet a Chanel-style jacket. Instead I started imagining something that would take two balls of yarn or less.

Result: The finished Graven weighs 108g (slightly over one 256-yd ball).

The second limit was its style and color.

The 3-button front Graven capelet and black dress and pearls.
A stop at Starbucks after the memorial.

Graven would have to be far more subdued than my default personal style, so I ruled out several initial ideas. It also had to be solid black; a challenge because that’s not what I tend to crochet. Sure, I often wear black clothing as a plain first layer that forms a background to a (sometimes crocheted) lighter-colored layer. I struggled at first to picture wearing crochet in solid black on a sunny Florida morning, not for evening, or in a northern office.

Result: I wore Graven all day. It was mostly easy and comfortable to wear, and felt elegant and proper style wise. I did have to adjust it periodically so that the buttons stayed centered. (I think this is because I accidentally increased some rows unevenly.)

It had to work with my dress and high heels.

The dress was a simple sleeveless deep V-front shift made of an inky black pima-modal fabric. Its surface had a woven linen look but it was actually a fine knit. Very comfortable to wear in Florida! It needed a dressy covering for the upper arms and chest though.

Result: Armed with these three requirements, I narrowed down my project to a fairly traditional shoulder covering, crocheted in a fairly tame lace stitch texture, with a polished-looking yarn that’s not too thin or thick: a capelet in Tunisian crochet with Lotus. (Our “Black Gleam” color matched the dress! whew.)

Other Requirements I Hoped to Meet

Half of the capelet shown flat along its hem while it blocks.
Half of the capelet shown flat along its hem while it blocks.

Learn something new about crochet: this was the first time I tried doing a Tunisian “wicker” mesh in short rows with a built-in shaped collar, and a distinctive twisted-loop edging at the hem.

Use yarn already in my stash, ideally my Lotus yarn. I try to feature a different Lotus color each time I design with it. This was the first time I designed with the black.

Try out a trendy style: The trend of using mesh textures in a modern, sort of sporty way inspired the stitch pattern. (The edging later added more of a medieval-ish wrought iron look.)

Give my handmade item the kind of polish that could even make someone wonder if it was a store-bought designer label. (I don’t know if this actually happened).

Wearing Crochet to Memorials

I’d do it again. It was a tangible comfort to me.

Although I don’t think I caught sight of all 360 people individually, I feel confident in saying that I was the only one wearing crochet, or even a hand knit item.

To me, fabric has a language, and crochet adds a necessary voice to the conversation, at memorials too. Time spent crocheting Graven was also time spent contemplating the uncle I will miss so much. Crochet caught and is holding my feelings for him.